Very Fine Candlelight Pieces

 Okay, I think I figured out how to do this: I’m going to look at Wright’s series of people reading letters by candlelight. Benedict Nicholson’s book has black and white reproductions for four such paintings, and I’ll use those for this post, but I’ll also include two in colour.

A Girl Reading Letter by Candlelight, with a Young Man Looking Over Her Shoulder. 1762. Oil on canvas, 27.5 x 35 in. A Girl Reading Letter by Candlelight, with a Young Man Looking Over Her Shoulder. 1762. Oil on canvas, 27.5 x 35 in.

A Girl Reading Letter by Candlelight, with a Young Man Looking Over Her Shoulder. 1762. Oil on canvas, 27.5 x 35 in.

A Girl Reading Letter by Candlelight, with a Old Man Looking Over Her Shoulder. 1767. Oil on canvas, 28 x 36 in. A Girl Reading Letter by Candlelight, with a Old Man Looking Over Her Shoulder. 1767. Oil on canvas, 28 x 36 in.

A Girl Reading Letter by Candlelight, with an Old Man Looking Over Her Shoulder. 1767. Oil on canvas, 28 x 36 in.

A Girl Reading Letter by Candlelight. 1772. Oil on canvas, size unknown.

A Girl Reading Letter by Candlelight. 1772. Oil on canvas, size unknown.

Old Woman Reading Letter by Candlelight in the Company of a Young Girl. 1772. Oil on canvas, size unknown.

Old Woman Reading Letter by Candlelight in the Company of a Young Girl. 1772. Oil on canvas, size unknown.

What are the common elements in these paintings:

1.) candlelight provides the (main/only?) light source
2.) the flame itself is hidden, obscured from view
3.) the light defines the forms, it shows us the fore- and mid-ground quite clearly, but obscures the background completely
4.) there are two figures: the reader in the foreground, the observer in the background
5.) the distance between the subject (the letter reader) and the viewer (us) is conversational, almost intimate, we’re just across a small table from them
6.) while the faces and pose of the readers are largely neutral, the second figures display an emotional response to the reader/letter (anger, sadness, joy, distress) and are in action (hand waving near face, rubbing eye, pointing up/towards own head, clasping own hands)
7.) the colour pallette is limited to dark neutrals except for the subjects faces and hands, which are warm tones
8.) with the exception of the final work, the composition is triangular

Next some sketches based on what I’ve learned…

Resources:

The title for this post, “very fine candlelight pieces” comes from a statement made about Wright’s work by James Northcote, an artist contemporary of Wright’s, quoted in W.T. Whitley’s Artists and Their Friends in England, 1700 – 1799, Vol. II.  London, 1926.

Nicholson, Benedict. Joseph Wright of Derby: Painter of Light, Vol. I and II. Hew Haven: Yale University Press, 1968. Plates 45: A Girl Reading a Letter by Candlelight, with a Young Man Looking Over Her Shoulder, 1762.

About Tania

I'm an artist, specifically a wildlife artist. And how exactly does one know she is an artist, specifically a wildlife artist? Well, only artists get excited about new art supplies, "Mmm, unmarked claybord..." or discovering a new satin sheen spray varnish *sigh* And only a wildlife artist gets distracted during a very serious conversation with her exceptionally supportive spouse by a fledgling sparrow taking it's first shaky flight across the yard.
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4 Responses to Very Fine Candlelight Pieces

  1. Tania, do you know if Wright was a freemason?

  2. Tania says:

    Michael, I don’t believe so, or rather, nothing I’ve read so far indicates membership with the freemasons. Wright did, however, associate with members of a group of intellectuals, industrialists and philosophers in Great Britian, the “Lunar Society” http://en.wikipedia.org/wiki/Lunar_Society
    Correspondents of the group included Benjamin Franklin, who was a freemason. Perhaps there were other connections?

  3. Ana says:

    Hi Tania,
    I was searching for the paintings of Wright’s depicting Girl reading by candlelight and the only site that I found the 1772 versions were yours.
    Thank you very much.

  4. Tania says:

    Hi Ana,

    The plates (in black and white) used to illustrate this post came from the following book: Nicholson, Benedict. Joseph Wright of Derby: Painter of Light, Vol. I and II. Hew Haven: Yale University Press, 1968. Plates 45: A Girl Reading a Letter by Candlelight, with a Young Man Looking Over Her Shoulder, 1762.

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