So I opened up my e-mail today and what did I see? A press release. I don’t think I’ve ever been e-mailed a press release before and I read with interest that the National Sculpture Society awarded Wildlife Sculptor Kent Ullberg the Henry Hering Medal for Art and Architecture. The award recognises Ullberg’s collaboration with the late architect Jim Reeves for his work, Omaha’s Spirit of Nebraska’s Wilderness.
You may remember that back in January I did wrote a post about Ullberg’s monumental work and my own hypothesis that the popularity of wildlife art can be credited to it being written in something other than “the language of our time”.
Congratulations, Mr Ullberg, your award is very well-deserved!
Text of the release follows below:
New York, New York — Internationally-known wildlife sculptor Kent
Ullberg was honored by the National Sculpture Society on May 17, 2008.
Ullberg received the Society’s Henry Hering Memorial Medal for Art and
Architecture at a black tie honors and awards dinner in New York City,
part of the organization’s annual Sculpture Celebration Weekend.
The Henry Hering Medal is considered to be the most important award
given for sculpture in architecture. It is given for outstanding
collaboration between architect, owner and sculptor in the distinguished
use of sculpture in an architectural project. The award, which is not
given every year, but only as warranted, is in recognition of the
“Spirit of Nebraska’s Wilderness” monumental work done in conjunction
with the First National Bank headquarters building in downtown Omaha.
Medal recipients will be Bruce Lauritzen, Chairman of the Board of the
First National Bank of Omaha, Jim Reeves of JVR and Associates
architects, and Ullberg. Reeves, who passed away prior to the completion
of the project, will be honored posthumously.
“This is a great honor, and although I’m pleased to again share it with
my late friend and colleague Jim Reeves, as well as the visionaries at
First National Bank, I am saddened that Jim couldn’t be here with us,”
said Ullberg. “The Hering Medal has been awarded to some of the most
important artists in America, and it’s humbling to be honored like this
for a second time for my collaboration with Jim.”
This is the 20^th presentation of the Hering Medal in the 48 years since
it was introduced. It is the second time that Ullberg and Jim Reeves
have been honored with a Hering Medal. In 1993, Reeves and Ullberg were
recognized for their work on the Broward Convention Center in Fort
Lauderdale, Florida, where Ullberg’s monumental bronze fountain
“Sailfish in Three Stages of Ascending,” is displayed.
Past recipients of the Hering Medal include Paul Manship and Ivan
Mestrovic and architects such as Michael Graves. In 2007, Architect
Friedrich St. Florian and Sculptor Raymond Kaskey were honored for the
National World War II Memorial in Washington, D.C. The Henry Hering
Medal itself was designed by Albino Manca for a national competition in
1958 and officially accepted February 10, 1959.
Ullberg is a renowned wildlife and marine artist who has done hundreds
of works for museums, municipalities and individuals across the globe.
He is also a major supporter of many wildlife conservation efforts. He
maintains studios in Loveland, Colorado and Corpus Christi, Texas.
*About Kent Ullberg*
A native of Sweden, Ullberg is widely recognized as one of the world’s
leading wildlife sculptors. In 1990, he became the first wildlife artist
since John James Audubon to be elected full academician to the National
Academy, one of the greatest tributes in American Art. Ullberg’s
sculptures have been shown in museums and corporate headquarters around
the world, including the National Museum of Natural History in
Stockholm, Sweden; the National Gallery in Botswana, Africa; the
National Geographic Society, Washington, D.C.; Exhibition Hall, Beijing,
China; and the Guildhall in London, England. He is also a major
supporter of many wildlife conservation efforts. Ullberg maintains
studios in Loveland, Colo. and Corpus Christi, TX.
He is best known for monumental works he has done for museums and
municipalities from Omaha, Nebraska to Cape Town, South Africa. His Fort
Lauderdale, Florida and Omaha, Nebraska installations are the largest
wildlife bronze compositions ever done, spanning several city blocks.
Ullberg has been honored with numerous prestigious awards including the
Gold Medal for Sculpture in 1981, 1982, 1988, and 1990 and the
prestigious Prix de West Award in 1998, all from The National Academy of
Western Art. He also received a Gold Medal in 1993 from The National
Sculpture Society and a Silver Medal in 2002.
In 1996 he was awarded the Rungius Medal, the highest honor bestowed by
the National Museum of Wildlife Art. The award is given to artists,
authors, conservationists and others who have made significant
contributions to the interpretation and conservation of wildlife and its
habitats. It is named for premier wildlife artist Carl Rungius.
Additionally, in 1993 Ullberg received the Henry Hering Medal from the
National Sculpture Society for outstanding collaboration between
architect and sculptor in a monumental sculpture.
Ullberg is a member of the National Academy, National Sculpture Society,
the American Society of Marine Artists, the National Academy of Western
Art, the Society of Animal Artists, the Society for Wildlife Art of the
Nations, and Allied Artists of America, to name just a few. For more
information, visit www.kentullberg.net
###
Several small sculptures of late Haida artist, Bill Reid, were stolen from the University of British Columbia’s Museum of Anthropology over the weekend, including this lovely piece:
Reid, Bill. Box, 1967. Gold. UBC Museum of Anthropology. MOA ID: Nb1.717 a-b. Image copyright the UBC Museum of Anthropology.
For those of you who may not be familiar with Reid’s work (although chances are if you’ve been to Canada recently, you’ve handled an image of his work: his sculpture The Spirit of Haida Gwaii appears on the back of the Canadian 20-dollar bill, the original sculpture stands in the Canadian Embassy in Washington, DC) he is one of Canada’s most celebrated artists.
The son of a Haida mother and father of European descent, Reid was born in British Columbia and was raised in a mainly white world until a trip to his mother’s home village of Skidgate in his early adulthood. It would be a life-altering experience for the young man who learned that his maternal grandfather had been a traditional Haida carver and modern silversmith. After a career detour to become a radio announcer for the CBC, Reid, who had shown artistic abilities and an interest in carving from childhood, took a course in jewellery making and design while working for the CBC in Toronto. When he returned to British Columbia, he set up his own jewellery shop in his basement and immersed himself in his Haida roots. He became involved in Haida art salvage and restoration projects through the University of British Columbia and used the time to study the art forms of his ancestors. Over a career that would span five decades, Reid would help revive what had become a near dead art form: Haida carving and design. Reid died in 1998 after a lengthy battle with Parkinson’s disease.
The work stolen from the University of British Columbia Museum are described as “priceless” and the theft as a “crime against all Canadians”. Speculation has included the sobering thought that the thieves may have stolen the works to melt them down for their value as a precious metal.
A complete list of the items, including three Mexican pieces, can be found on the CBC website where they also have a slide show of the stolen works.
I know that one year’s worth of posts may not seem like much in the world of blogging, but as a person of few traditions, I’m pretty pleased with myself for keeping this up for a whole year.
I did a bit of snooping to see how other bloggers celebrate their blog’s birthday (or anniversary, if you prefer) and came up with everything from simple “happy blogiversary” posts to elaborate blog birthday parties. Now, if you haven’t already figured this out about me: I’m a pretty laid-back person, so I’m hardly about to do anything extravagent, but I would like to give my blog a present… I’m just not sure what.
I’m pretty happy with the general colour scheme and layout, so I don’t think a redesign is in order… I’ll have to give this some thought. If you have any thoughts feel free to drop me a line or plunk in a comment and what’s say we meet back here next week and I’ll have an idea for my blog’s birthday present.
By Candlelight, work in progress. Scratchboard, 12 x 9 in. Copyright 2008, Tania Nault.
Sorry about the photograph, bad lighting. This WIP will be the start of the project based on my Joseph Wright of Derby study.
Maggie Stiefvater posted a recent challenge to join in her May artist(s) study (yes, “artists” as in more than one; unlike me, who has taken forever to get to this point, Maggie studies artists at the speed of light and has posted studies of at least four other artists on her blog in the past few weeks). The challenge was to find an artist we admire, identify his/her strengths and techniques and then blog about it. I decided joining her challenge would be a great way for me to finish my study of Wright.
Wright’s strengths:
- amazing sense of light and shadow: I think the “and shadow” part of that observation is particularly important; there’s something deep in those shadows, they aren’t simply the absence of light, they have a weight and substance of their own
- human drama: Wright’s subjects react with/to each other and their surroundings in a very evocative way
- composition: Wright used light and shadow to create form, but also to move the viewer’s eye around the painting
As I work on my own candlelight image I’m going to keep those things in mind and we’ll see where it takes me.
Lichens and Rust. Photograph, 5 x 7 in. Copyright 2008, Tania Nault.
I know tonight was supposed to be the end of the Joseph Wright of Derby artist study, but I’m having some troubles getting a version upgrade, flexible uploader and new anti-spam feature to play nice on my blog…. I’ve called in the “big guns” (otherwise known as my husband, Kevin) and when we have everything worked out, you’ll be the first to know… mainly because the Joseph Wright post will be here.
